Keira composited in front of a window in London. Is it about line or form? Or colour? Movement?
I almost don't want to sell this one; I want to keep it all for myself. Well, almost.
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Multilayered composite. Models are Rebecca and Vassanta; they gave us a terrific session.

Carlotta...

Multilayered composite. We loved working with Keira.

The fabulous Carlotta again. Multilayered composite.
Not a Swaine Adney Brigg, but get's the job done.

Carlotta. Not much more needs be said.

Multilayered composite.

Sometimes you can believe in faeries; not that it's a good idea to do so. I love the joy in this piece; makes one want to dance naked. At least that's how it makes me feel.

The model is B. Multilayered composite.

Another picture of Keira that really appeals to me. Can't stop looking at it.
The border is from a circa WWII Franc note. Multilayered composite.

This is Shannon. Multilayered composite.

I saw a werewolf drinkin a pina colada at Trader Vic's...
This is Amanda, an absolutely stunning young woman with an infectious laugh. I'm glad I got to work with her before she retired from modeling.
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You see interesting sights walking along the Thames.
The model is Tarra, just a wonderful girl with more looks than you can shoot in a session.
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For Arts de Valentine. Model is Rebecca.
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This is Keira, the girl with a thousand looks. I actually walked away from buying this dress, drove home, realized what an awful mistake I'd made, then returned to get it. I'm really glad I did. I think it's actually sexier than hose and heels, in a very different way of course.
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This is what I see from the windows in my loft. Of course Keira is not usually there, but the art gallery across the street is...
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Sometimes you feel like screaming. Models are Hex and Lonnie.
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I can almost hear Glenn Miller...
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I don't know about this one, but sometimes you just want to have a bit of fun without trying too hard.
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This is Hex; she is heavily inked, which is interesting, but a chore to remove. Still, a delightful young woman and wonderful model.

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Carlotta, with Lonnie in the background. Perhaps too straight-forward. Might work it a bit more...
Multilayered composite.

This is Shannon, a lovely girl.
I don't do this style anymore, but I do like this one.

I'm not so sure about this one, even with the amazing Vassanta, but I do like things half-hidden.

In the words of James Wong Howe, "never state what you can imply."

Multilayered composite.

I love the androgenous look of this piece, especially since the model is the very feminine Keira.

Does the camera lie? Everytime. Of course there can be remarkable truth in a lie, revealed as it can be in no other way.

Multilayered composite. As if one can't tell.

This is early work with Shannon, but I still like it a lot. What strikes me is the eye; you don't see it at first, but she's looking dead into the lens. A woman in hose and heels. Oh my...
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A woman. Yes, yes she is.

Carlotta, of course. Multilayered composite.

This is the coast at Berwick.

Very, very beautiful place, the kind you don't want to leave, even when the shadows are long and the wind is too cold.

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Multilayered composite. This is my very favorite; no nudity, but very sexy to me.

She closed her eyes, and then...